Showing posts with label Young Adult Books. Show all posts
Showing posts with label Young Adult Books. Show all posts

Monday, October 7, 2013

Strategies for the ACT English Test

 It’s that time of year again. College applications are flowing out of high school students and parents are getting nervous. testing is a huge part of the formula, so here are some suggestions and resources  to help keep nerves calm:

Barron’s ACT English, Reading, and Writing Workbook by Linda Carnevale gives college-bound students extensive practice and review that will help them excel on all three verbal sections and all four reading genres of the ACT. An introductory overview explains the formats for the English Test, the Reading Test, and the Writing Test. A full-length self-assessment test follows with an answer key and explanations to help students assess their strengths and weaknesses. Succeeding chapters review the subject matter of all three tests and present drills, strategies, practice questions, study advice, and test-taking tips. Students review English grammar, punctuation, and style. They sharpen their reading comprehension with practice passages in the Humanities, Natural Science, Prose Fiction, and Social Science. Finally, they hone their essay-writing skills, guided by the author’s instruction in organizing their ideas, writing a rough draft, and editing the finished essay. A final chapter presents a full-length practice test with answers and explanations.

The Grokit website says:

1. Think simple.  As far as the ACT is concerned, the best writing uses the fewest possible number of words to convey an idea.  This doesn’t always mean the shortest answer is the best answer–sometimes more words are needed in order for a phrase or sentence to be grammatically correct.  But in general avoid answer choices that seem wordy.  The best answers are concise and clear.

2. Take the whole sentence into account.  It’s easy to read just the underlined portion the question asks about, or maybe just the clause that the underlined portion is a part of.  However, many times the other clause or clauses in the sentence can affect your answer.  For example, if the other clause is an independent clause, you will need to make sure that the underlined portion does not create a comma splice with another independent clause.  Read the whole sentence to yourself and you will be less likely to overlook an error.


ACT English Scoring

Just like the other sections, the ACT English section can earn you between 1 and 36 points. This score will be averaged with the scores from the other multiple-choice sections (Math, Science Reasoning and Reading) to get you your Composite ACT score. You’ll also get a subscore for both the Usage/Mechanics and Rhetorical skills subcategories between 1 and 18. These subscores having nothing whatsoever to do with your overall score, and most colleges and universities will not care what your subscores are. Strange, but true. The average ACT English score is about a 21, but you’ll have to do much better than that if you’d like to hit up a top university for admissions acceptance – more like between a 30 and 34.  Source: About.com

 10 Tips for the ACT English Test

  1. Skim an English passage before starting work on the questions
  2. On questions that ask you to judge a passage, lean toward selecting a choice that favors it
  3. Choose answers that match the level of formality of the entire passage
  4. The best way to write something is the shortest correct way of writing it
  5. If you speak a “nonstandard” dialect, be extra careful with questions that focus on idioms
  6. Watch for subject-verb and noun-pronoun agreement
  7. Make sure parenthetical phrases begin and end with the same punctuation mark
  8. Look out for sentence fragments and run-on sentences
  9. Make sure that nouns and pronouns are modified by adjectives, and that verbs and adjectives are modified by adverbs
  10. Learn the difference between it’s and its
Source: Kaplan Test Prep

Michaelbrent Collings hopes someday to develop superpowers, and maybe get a cool robot arm

Our detailed discussions of children’s and young adult literature often include work that is traditionaly intended for adults, but is also accessible and useful for many young readers.
10560_214646002031443_650523458_nMichaelbrent Collings is a #1 bestselling novelist and screenwriter. His bestsellers include Strangers, Darkbound, Apparition, The Haunted, The Loon, and the YA fantasy series The Billy Saga (beginning with Billy: Messenger of Powers).

He hopes someday to develop superpowers, and maybe get a cool robot arm, his biography reads. 

Michaelbrent has a wife and several kids, all of whom are much better looking than he is (though he admits that’s a low bar to set), and much MUCH cooler than he is (also a low bar).

Here is an update from the author:
As with so many of my books, there are twists and turns throughout THE COLONY: RENEGADES. So please remember: reviews are great, but please don’t spoil the book for others by revealing the secrets!
1378451_10151776548333512_1453550173_nAlso, if you enjoy the book, please recommend it to a friend! The only way to keep your favorite authors working to bring you YOUR favorite books is not only to buy the book, but to encourage others to do so as well. Happy reading….
Michaelbrent  has a killer backhand on the badminton court (’cause he’s macho like that).

He published his first “paying” work – a short story for a local paper – at the age of 15. He won numerous awards and scholarships for creative writing while at college, and subsequently became the person who had more screenplays advance to quarterfinals and semifinals in the prestigious Nicholls Screenwriting competition in a single year than anyone else in the history of the competition.

His first produced script, Barricade, was made into a movie starring Eric McCormack of TV’s Will & Grace and Perception, and was released in 2012. Michaelbrent also wrote the screenplay for Darkroom, a movie starring Kaylee DeFer (Gossip Girl, Red State) and Elisabeth Rohm (Angel, Law & Order, Heroes). Darkroom is currently set for a 2013 release.

As a novelist, Michaelbrent has written numerous bestsellers, including Apparition, The Haunted, The Billy Saga, The Loon, Rising Fears, and others. In addition, he has also written dozens of non-fiction articles which have appeared in periodicals on several continents.

Michaelbrent is also a member of the WGA (Writers Guild of America) and the HWA (Horror Writers of America). In addition to selling, optioning, and doing rewrites on screenplays for major Hollywood production companies, he is currently developing several movies and television shows.

Michaelbrent is a frequent guest speaker at genre and literary conventions, high schools, church groups, and anywhere else that wants to talk about writing. If you’re interested in having him speak to your group, please contact him via the contact form on the bottom of the page. Michaelbrent also has a Facebook page at http://www.facebook.com/MichaelbrentCollings and can be followed on Twitter @mbcollings. You can follow him for cool news, updates, and advance notice of sales. You will also be kept safe when the Glorious Revolution begins!

Wednesday, September 25, 2013

Books by Michael Strickland That Celebrate the African American Experience

Families: Poems Celebrating the African American Experience

511KF9CYyBL._SY346_Family relationships are explored and affirmed in this joyful anthology of poems celebrating the diversity of African American families. Michael Strickland, has collaborated with his mother, noted educator Dorothy Strickland, to bring us this warm collection. Rich and powerful poems by Eloise Greenfield, Lucille Clifton, and others are rooted in deeply felt values of belonging and mutual respect.

From Publishers Weekly

Using works by Lucille Clifton, Nikki Giovanni, Langston Hughes and other African American poets, this determinedly upbeat collection focuses on happy childhood experiences-getting hugs and kisses, going on family outings and saying a tender good night. The poems selected are rarely representative of the poets’ best writing; moreover, they tend to stereotype pretty little girls and big strong boys. The larger problem, however, is that in “celebrating the African American experience,” the editors try to be both inclusive and exclusive at the same time. Little here suggests either the uniqueness or the variety of black culture; conversely, the Stricklands’ own initial poem extolling “all kinds of families” and poems that applaud children of “every color skin” seem at odds with the uniformly black faces Ward depicts in his acrylic paintings. But even though the focus is blurred, many teachers and parents will welcome the volume for its use of an African American cast in paying tribute to middle-class family values. Ages 5-8.
  • Age Range: 5 – 8 years
  • Grade Level: 2 – 3
  • Paperback: 32 pages
  • Publisher: Wordsong (February 1, 1996)
  • Language: English
  • ISBN-10: 1563975602
  • ISBN-13: 978-1563975608
  • Product Dimensions: 0.1 x 7.8 x 10.8 inches

From School Library Journal

Grade 2-5-A fine collection of 23 poems that feature African-American families. Youngsters’ voices come through vibrantly in these traditional and contemporary works that express the joy, sorrow, and excitement of childhood. Gwendolyn Brooks’s “Andre” is about a boy who dreams of having to choose new parents; Eloise Greenfield’s “Missing Mama” poignantly expresses a child’s sorrow at the death of his mother; and Lindamichellebaron’s “Hugs and Kisses” is a delightful selection about a boy’s hidden approval of his mother’s affection for him. Other poems are by Arnold Adoff, Lucille Clifton, Nikki Grimes, Nikki Giovanni, Langston Hughes, Naomi F. Faust, Julia Fields, and E. Alma Flagg. Black characters are depicted in the attractive acrylic illustrations, and some poems express themes directly related to African-American culture; however, the verses represent and impart universal feelings and moments, making this a book to be shared and enjoyed by all children.

Haircuts at Sleepy Sam’s

From Publishers Weekly

51QCGZY852L._SX260_Three brothers take a Saturday morning trip to Sam’s barber shop in this affable if slim story, narrated by the youngest sibling. Though their mother sends them with a note instructing the barber not to trim her sons’ Afro cuts too short on top, the boysAand SamAhave a different style in mind. Strickland, who has compiled several poetry anthologies for children, shapes credible dialogue and gives his narrative a bouncy cadence: awaiting their turn in the barber’s chair, the brothers “watch the men cut hair and talk, cut hair and joke, cut hair and argue, cut hair and laugh, cut hair and boogie to the oldies on the radio.” Holliday’s (First by Secondhand) 1970s’ palette underscores Mom’s old-fashioned ideas and the barbers’ banter about boxers Muhammad Ali and Joe Frazier. Rendered with airbrush and pastel chalk, his pictures showcase the animated expressions of the characters with close-to-photographic clarity against faded backgrounds of chartreuse, mauve and beige. Ages 4-8.
  • Age Range: 4 and up
  • Grade Level: Preschool and up
  • Hardcover: 32 pages
  • Publisher: Boyds Mills Press; 1st edition (September 1, 1998)
  • Language: English
  • ISBN-10: 1563975629
  • ISBN-13: 978-1563975622
  • Product Dimensions: 10.3 x 9.4 x 0.4 inches

From School Library Journal

Kindergarten-Grade 3-It’s Saturday morning and haircut time for three African-American brothers. While their mother insists on natural Afro cuts, the boys yearn for the contemporary shorter styles worn by their friends. Readers follow the children as they walk to Sam’s Barbershop where they give Sam the envelope from their mother that contains instructions and money for the haircuts. Three barbers work on the siblings and when they are finished, the boys have the haircuts they wanted. The pastel and airbrush illustrations lend a light, cheery tone and portray a lively community. The photographic quality of the facial expressions invites readers to join in the joking and horseplay at the barbershop. Both the first-person narrative and the illustrations reveal the close-knit relationships of the brothers and their surroundings. The text flows well and is a good choice for reading aloud. For similar books, see Margaree King Mitchell’s Uncle Jed’s Barbershop (S & S, 1993) and Natasha Tarpley’s I Love My Hair (Little, Brown, 1997).
Shawn Brommer, Southern Tier Library System, Painted Post, NY

African-American Writers: A Dictionary

A timely survey of an important sector of American letters, African American Writers, examines a multitude of black cultural leaders from the eighteenth century to the present as it focuses on novelists, essayists, scholars, activists, critics, teachers, poets, playwrights, and songwriters. Biographical information covers important events in a writer’s life, education, major works, honors and awards, family and important associates, and more. Includes illustrations, bibliography, and index.

From Library Journal

415372WY1YL._SY300_This unique title profiles several hundred African American fiction and nonfiction writers from Colonial times to the present. The table of contents lists the authors alphabetically and then divides them into 17 categories (novels, short stories, slave narratives, etc.) and nine themes (Folktales, the Harlem Renaissance, Trickster Tales, etc.); authors whose work spans several categories are listed separately under each. The profiles themselves, presented alphabetically and ranging from a paragraph for less well known writers like Ai Ogawa to three pages for writers like Ralph Ellison or Terry McMillan, are both biographical and critical, although the amount of criticism varies. Included in each entry are the writer’s birth and death dates, the categories into which he or she fits, and any pseudonyms. Black-and-white illustrations, references, genre lists, a comprehensive index, and chronologies of the writer’s life dates and of African American literary firsts complete this impressive title. Hatch, a freelance writer, and Strickland (creative writing, Boise State University.) are to be commended; no other single work seeks to include all past and present African American writers of significance in such an affordable format.
  • Series: Literary Companions (ABC)
  • Library Binding: 484 pages
  • Publisher: ABC-Clio Inc (June 1, 2000)
  • Language: English
  • ISBN-10: 0874369592
  • ISBN-13: 978-0874369595
  • Product Dimensions: 10.3 x 7.3 x 1.7 inches

From Booklist

Finding information about African American writers has always entailed searching in a variety of resources. Children\rquote s writers, political writers, poets, songwriters, novelists, and speechwriters are covered in different sources, some easy to find, others not. Information about some writers, such as Toni Morrison and Phillis Wheatley, is readily available. Information about other, more obscure writers, such as Abby Fisher, who authored the first published cookbook by an African American woman, is harder to locate. And unearthing facts about those who penned comic strips, compiled bibliographies, or wrote scripts or political columns is even more challenging.
This very complete and readable dictionary helps to meet that challenge. Spanning the entire history of African American expression, it covers more than 530 individuals, including writers of commercials, hymns, newspaper editorials, and rap songs along with screenplays, novels, autobiographies, essays, and poetry. Publishers, editors, and patrons of the arts are included as well. Entries vary from just a sentence for actor Laurence Fishburne to 10 pages for Richard Wright. A handful of important movements, publications, and genres (e.g., Harlem Renaissance, Negro Digest, Spirituals ) are also treated.
Each author entry begins with the author’s birth name, followed by pseudonyms or alternative names and birth and death dates if available, as well as the genres appropriate to the individual. In addition to biographical facts, the editors have included information about what inspired the authors to compose their works, in the hope that the volume would be a springboard for further investigation or even a source of ideas. Cross-references are in bold type, and each entry ends with abbreviated source references. The book is sprinkled with photographs and concludes with an appendix of writers by genre, a chronology of writers and a chronology of  firsts, full bibliographic references, and an index.

51V34KHK01L._SY346_The Club

… And

Shells Gold

Reading levels are inviting to reluctant readers.
- Each series features a multicultural cast of characters with strong group friendships.
- Engaging plots deal with peer rivalry, mystery, virtual reality, and much more!
The Club:
  • Age Range: 10 and up
  • Grade Level: 5 and up
  • Series: Summit Books
  • Paperback: 119 pages
  • Publisher: Perfection Learning (August 2002)
  • Language: English
  • ISBN-10: 0789155427
  • ISBN-13: 978-0789155429
  • Product Dimensions: 0.3 x 4.2 x 6.6 inches
From About.com:
51D47VDB53L._SY346_If you have kids or teens who are reluctant readers because they read below grade level and can’t find books they can read that interest them, try some of these hi-lo books. The Hi-Lo reading lists focus on books at the reader’s interest level (“Hi” stands for “high interest”) but written at a lower reading level (“Lo” stands for “low readability,” “low vocabulary,” “lower reading level”) to encourage reading. Kids and teens reading below grade level are more apt to want to read a book if it is not only at their reading level but also at their interest level.
  • Shell’s Gold:

  • Age Range: 10 and up
  • Grade Level: 5 and up
  • Series: Summit Books
  • Hardcover: 117 pages
  • Publisher: Perfection Learning (August 2002)
  • Language: English
  • ISBN-10: 0756908558
  • ISBN-13: 978-0756908553
A hi-lo book, broadly defined, is a title that offers highly interesting subject matter at a low reading level, according to Publisher’s Weekly. A number of publishers have focused on producing these books, though they often take slightly different approaches to creating the products that best fit a particular market. The abiding goal, says Arianne McHugh, president and co-owner of Saddleback Educational Publishing, “is to offer age-appropriate content—something that will grab [readers'] interest—at a readability level that is accessible.” As examples, McHugh notes that for a struggling reader in middle school or high school, although The Hunger Games would generate enormous interest, it would be a discouraging undertaking. On the other hand, “You can’t give them Clifford; we don’t want to embarrass them,” she says. Somewhere in the middle is the book that’s just right, she says.

African-American Poets (Collective Biographies)

51CtPUje71L._SY346_This book This book profiles the lives and work of ten African American poets: Gwendolyn Brooks, Haki R. Madhubuti, Rita Dove, Eloise Greenfield, Langston Hughes, Imamu Amiri Baraka, Maya Angelou, Paul Laurence Dunbar, Phillis Wheatley and Nikki Giovanni.
From School Library Journal:
Gr 7-12. ‘Ten African Americans are highlighted in these essays. Each 7-to-10 page sketch contains basic biographical information about the poet, showing how the African-American experience affected their work, along with a portrait (usually a photograph) and one of their poems. The writers range from former slave Phillis Wheatley to contemporary authors such as Maya Angelou, Eloise Greenfield, and Rita Dove. Also included are Langston Hughes, Gwendolyn Brooks, and Nikki Giovanni. The clear, focused writing makes this a solid choice for reports, especially in multicultural units.‘

Saturday, August 17, 2013

Dead Poets Society: Creative Writing Lesson Plan

Yesterday we watched Dead Poets Society and wrote and shared abut what the movie meant to each of us, as well as what we learned about poetry from the film.

Recommended Reading: Dead Poets Society [Mass Market Paperback] N. H. Kleinbaum (Author)

Recommended Reading: Dead Poets Society [Mass Market Paperback N. H. Kleinbaum (Author)
Todd Anderson and his friends at Welton Academy can hardly believe how different life is since their new English professor, the flamboyant John Keating, has challenged them to “make your lives extraordinary!  ” Inspired by Keating, the boys resurrect the Dead Poets Society–a secret club where, free from the constraints and expectations of school and parents, they let their passions run wild.  As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count.
But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences.  Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?
While we are discussing cinema and the connections that all art forms have to each other and to creative writing, here are some interesting links: 10 Great Movies Based on Poems
Link: http://flavorwire.com/387561/10-great-movies-based-on-poems
We’re all pretty comfortable with the idea of movies based on books — fiction, nonfiction, and even self-help books — but what about books of poetry? Last week, Open Culture posted a fascinating film based on the poetry of Sylvia Plath. While it might seem surprising to see a film based on a poem, it’s actually probably a lot more common than you think. To prove it, find ten great films based on poetry after the jump. Don’t see your favorite? Add it to the list in the comments.

And here are Films for Poetry Month:
Link: http://www.rhombusmag.com/2010/04/12/film-movies-for-poetry-month/
A lot of the time, real poetry gets a bad rap. It’s foisted on teenagers in high school English classes, most of whom have no idea why they’re reading it, and who are excited to put it permanently behind them. Or at least, that was my experience.
 Poetry, however, doesn’t all suck. And in fact, this month is officially National Poetry Month, which celebrates the best works by both living and dead poets. (Yes, there still are people writing serious poetry — and it isn’t all penned by “anonymous” or ideally suited to church.) So if you haven’t read a poem since looking at “The Red Wheelbarrow” when you were 15, now is a perfect time to give it a second chance. Poetry, after all, may be a dying art, but knowing a thing or two about it can still make you look like a badass.
 In celebration of National Poetry Month, what follows is a list of poetry-related movies. Maybe you’ve seen them, maybe you haven’t, but chances are you haven’t read everything by all the poets they depict. So this April, watch a movie, read a poem, and impress a girl or boy.
One of my favorites is A Knight’s Tale (2001) —
With Heath Ledger’s death in 2008, this film will always be remembered as one of the star’s funnest and most adored works. Yet, it’s also important to remember that the film is possibly the most entertaining depiction of Chaucer in all of cinema. In the film, Chaucer is basically Ledger’s PR man, giving rousing speeches before violent tournaments. In real life, Chaucer is perhaps the first person ever to write poetry in actual English. He wrote The Canterbury Tales about a bunch of pilgrims, which along with his other works helped turn English into a formal, normalized language. Of course, none of that is shown in A Knight’s Tale, but the film at least portrays the poet as a man with a propensity for eloquence.
We will conduct the following  Poetic Devices Activities
Poetic Devices Worksheet - Help students reinforce their skills with onomatopoeia, rhyme, rhythm, repetition, alliteration, and consonance. Students identify the techniques and explain their answer.
Poetic Devices Worksheet RTF
Poetic Devices Worksheet PDF
Preview Poetic Devices Worksheet in Your Web Browser
Poetic Devices Lesson - Teach students about the sounds of poetry with this PowerPoint slide show. Covers onomatopoeia, rhythm, rhyme, repetition, alliteration, and consonance.
Poetic Devices Lesson PowerPoint
Preview Poetic Devices Lesson in Your Web Browser
Poetic Devices Illustration Project – Students will define poetic devices and create an example showing understanding. They will then illustrate their examples. Great artifacts for displaying on a bulletin board.
Poetic Devices Illustration Project RTF
Poetic Devices Illustration Project PDF
Preview Poetic Devices Illustration Project in Your Web Browser
Looking For More Reading Worksheets?
Figurative Language Worksheets
Theme Worksheets
All Reading Worksheets
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This worksheet on poetic devices is the quiz:
Identifying Poetic Devices Worksheet - Students identify poetic techniques and uses of figurative language in examples from poetry and speech. Also, students should explain their answers. 4 pages – over 25 problems.
Identifying Poetic Devices Worksheet RTF
Identifying Poetic Devices Worksheet PDF
Preview Identifying Poetic Devices Worksheet in Your Web Browser
View Answers
Link: http://www.ereadingworksheets.com/figurative-language/poetic-devices/

Dear America: Down the Rabbit Hole by Susan Campbell Bartoletti Feels Like Reliving History

Rabbit-HoleIn the spring of 1871, fourteen-year-old Pringle Rose learns that her parents have been killed in a terrible carriage accident. After her uncle Edward and his awful wife, Adeline, move into Pringle’s family home — making life unbearable for her and her younger brother, Gideon — Pringle runs away with Gideon to Chicago, seeking refuge from the tragedy, and hoping to start a new life. She becomes a nanny for the children of a labor activist, and quickly finds herself caught up in a web of intrigue and lies. This is just part of the adventure of Dear America: Down the Rabbit Hole by Susan Campbell Bartoletti. Then, when a familiar figure from home arrives, Pringle begins to piece together the devastating mystery of what happened to her parents, and realizes just how deadly the truth might be. But soon, one of the greatest disasters this country has ever known — the Great Fire of Chicago — flares up, and Pringle is on the run for her life.

“The many apt allusions to Alice in Wonderland, Pringle’s cherished gift from her mother, elevate and deepen the story as, more than once, Pringle’s life is turned upside down, and things are often not what they seem to be,” according to Kirkus Reviews.

Bartoletti’s writing is always clear and at times elegant. She creates a very likable young protagonist and paints this endearing character against a well-drawn historical backdrop. Her entry in the Dear America series brilliantly weaves the high-action historical diary tale into the whirlwind of events surrounding the Chicago Fire of 1871.  The book also includes the general labor unrest that was taking place at the time.  This wonderful and captivating story is a great choice for teens as well as adults.
As the pages turn, it feels like you’re reliving history.


The author writes:

I often tell aspiring writers to write about what you like, to write about what you know, to write about what you’d like to know, and to write about what you don’t like and don’t understand.
You see, the acts of researching and writing and telling stories help me to stretch and to grow and to make meaning. It helps me understand difficult subjects and ideas.
If you know my body of nonfiction work, then you know that I’ve spent the last twenty years researching and writing and thinking deeply about difficult and heart-breaking subjects such as child labor, the Holocaust, the Third Reich, famine and war, and the Ku Klux Klan.
In my work, I explore the lives of those who were victimized, exploited, disenfranchised, and silenced. I like to explore the ways that these people’s lives were greater than the pain and violence and injustice that they suffered. I like to explore the ways these people became active agents in their struggle for change — and for survival and for the survival of their loved ones.

Those who suffered violence and injustice and hatred were not passive victims.
Given my interests, it may seem obvious that I would tell Pringle’s story through one of those lenses. After all, that’s what I did in my first Dear America book, A Coal Miner’s Bride.
I like to expose gaps and contradictions. I appreciate irony. Perhaps that’s the best way to explain how Pringle showed up on the page, as the daughter of a wealthy mine owner who railed against the workers’ attempts to unionize and strike for better wages and living conditions.

A book always surprises its writer, and there were many other surprises along the way. For example, when I began writing, I didn’t realize the full extent of my interest in the lives of children with disabilities and the fact that their stories are often marginalized or missing completely from the historical record. I didn’t know that Pringle’s younger brother Gideon had Down syndrome. That storyline emerged as I began to explore Gideon’s character more.
And yet, I know where I found the inspiration for Gideon’s character: from a family friend named Sal Angello. Sal was born with Down syndrome in 1947.

I first met Sal when I was sixteen and grew to know him and his family well over the coming years. Little did I know that I was collecting seeds for a character named Gideon. Perhaps the best compliment comes from Sal’s amazing sister, Rose Marie Crotti, who says about the book: “Susan captured Sal’s sense of humor and life qualities that were unique to him.”
Sal’s family was not wealthy, as Gideon’s family is in the story, but Sal led a rich life. He died before his sixty-third birthday in 2010.
Bartoletti’s lively prose and strong characterizations kept me turning the pages. And I absolutely loved sharing the brave  heroine with my daughters. As School Library Journal said: “Whether readers recognize the date of the Great Fire or not, the foreboding sense of tragedy looms over the city, creating suspense in the center of Pringle’s conflicting emotions.” Packed with multiple historical events and an engaging personal story, readers are in for a special treat with Down The Rabbit Hole.